Hania Jneid is an artist and designer creating emotional objects for fragile memories. Working across hand-built ceramics, furniture, and spatial pieces, her practice explores softness, imperfection, and the shifting nature of memory. With studios in both Barcelona and Beirut. Her work emphasizes connecting users with their emotions through an honest and intuitive approach to materiality
Introducing
The Emotional Lab Sculptural Lamp
The Emotional Lab floor lamp consists of a slender metal stand supporting several beaker-like glass vessels that light up with a warm, ambient glow.
Other optional metal modules, including a vase and a small storage unit, provide material contrast and add to the sense of narrative in the piece.
Designer Jneid produced the Emotional Lab light through her own studio, and says the design was informed by her childhood memories of chemistry labs
“I am intrigued by the playfulness and underlying interactions between the different elements of the lab system,” said Jneid. “This is translated in the user’s ability to configure different compositions in order to reach a new aesthetic, simulating a new chemical reaction.”
The lamp is part of the Emotional Lab series, which also includes a modular storage system, and is handcrafted by artisans in Spain, Italy and Lebanon. The structure is available in anodised aluminium, brass or stainless steel, with various marbles for the base.
The Emotional Lab light is based on the appearance of a chemistry set 
The lamp’s modules can be configured in various ways
Artistic Ceramics by Hania Jneid
Naive
Olé
Traces
Lips
Interior Design
Like my ceramics and paintings, my interior projects embrace contrasts: rough textures against smooth surfaces, silence alongside expression, restraint balanced with warmth. In every project, I search for the same truth—a space that feels alive, meaningful, and deeply human.
¨I think of interiors as living sculptures—rooms that breathe, walls that hold memory, and furniture that speaks. My design practice is not about decoration, but about creating worlds that reflect the people who inhabit them.
For me, a room is more than architecture. It is an emotional archive, a stage for daily rituals, and a place where beauty becomes part of living.
The Craft House
Bus stop 31
